Tag Archives: design

DESIGNING PITCH DECKS IN THE AGE OF AI

DESIGNING PITCH DECKS IN THE AGE OF AI

There was a time when a pitch deck could get by on content alone. If the business made sense and the founder could carry the room, that was often enough to secure a second conversation. That world has changed.

Today, a founder can open an AI tool and generate a perfectly acceptable deck in minutes. The result may be clean and usable. For an early draft, that can be genuinely helpful. But is it ready to design the deck you put in front of investors?

Not quite.

The problem is that investor decks are not just presentation documents. They are judgement calls, made slide by slide. What belongs on the slide? What should be left unsaid? Where does the story need proof? When should the design get out of the way? That is where human design still matters. A good deck does not simply organise information. It guides attention and makes the business feel more investable.

Here are the principles we follow when building investor decks that do more than look polished.

1. Brand it with intent

A deck is often the first proper encounter an investor has with your company. Not just the idea, but the character behind it.

That does not mean plastering the logo everywhere or turning every slide into a brand showcase. In fact, over-branding can feel insecure. Good branding in a deck shows up in the confidence of the typography. It is there in the restraint of the colour palette. It appears in the way each slide feels unmistakably part of the same world.

AI can imitate a style. It can suggest a palette. What it cannot always understand is whether the design feels true to the business. A climate-tech deck should not feel like a crypto launch. A healthcare deck should not feel like a lifestyle app just because that style is fashionable. The visual language has to support trust in the business and make the company feel coherent.

 2. Use visuals because they earn their place

One of the quickest ways to spot a weak deck is through decorative visuals. Stock imagery used or icons dropped in because a slide looks empty. Diagrams that make a simple idea harder to understand. Strong decks use visuals with a job to do.

A product screenshot can make the use case click in seconds. A well-structured chart can turn traction into momentum. A customer quote, used sparingly, can bring the problem into the room in a way a paragraph never will. Ask, does the visual make the point faster or sharper? If it does, keep it. If it is only there to make the slide feel less bare, take it out.

This is where an experienced designer becomes very useful. Not because they make things prettier, but because they know when a slide needs presence and when it needs discipline.

3. Keep the slide focused

Founders often want to include everything. That is understandable. You have spent years building the business, so every detail feels important. Investors do not experience the deck that way. They are scanning for signal. They want to understand what matters and whether they believe it.

A strong slide usually has one job. Sometimes that job is to explain the market. Sometimes it is to prove demand. Sometimes it is simply to make the investor feel the scale of the opportunity. White space is not wasted space. It is what allows the important thing to land.  This is also where AI-generated decks often fall down. They tend to fill space because they can. A human designer knows that restraint is often what gives a slide authority.

4. Vary layouts to maintain engagement

Consistency matters, but repetition can really kill attention. A deck where every slide follows the same structure starts to feel flat, even when the content is strong. Investors may not consciously notice the repetition, but they may feel the energy drop.

For instance, a bold market insight might deserve a full-screen statement. A traction slide might need a clean chart with very little else competing for attention. A product slide may work best when the interface is allowed to take centre stage. Good variation should feel paced rather than random. It gives the story shifts in emphasis to keep people engaged and interested. This is something templates struggle with.

5. Design for the investor in front of you

A pitch deck should evolve as the business evolves. At pre-seed, the deck may need to work harder to sell the problem and the ambition. Later on, investors will expect more evidence. The design should shift accordingly, making traction easier to read and performance easier to trust.

Different investors also look for different things. A generalist may need more context around the category. A sector specialist may want you to get to the proof faster. The deck should be shaped around what they need to understand, what they are likely to question and what will help them believe.

A good designer will not just ask, does this look good? They will ask, who it’s for and what needs to land by the end.

6. Make design part of the thinking

The biggest mistake is treating design as the final polish (that along with giving it to designer the day of the pitch!).

By the time a deck reaches the ‘make it look good’ stage, many of the important decisions have already been made. Sometimes the story is too dense. Sometimes the order is wrong. Sometimes the strongest point is buried halfway down a slide. Design is not decoration at the end of the process. It should be part of how the argument is shaped.

A senior designer may challenge what belongs on the slide in the first place. They will see when a chart is trying to do too much, they might spot those repetitions that often creep in when people become over familiar with the copy. That is the part AI has not solved. It can produce options quickly, and those options can be useful. But it cannot sit with the nuance of a business, understand the room you are pitching to and make the all important judgement calls. A strong investor deck shows that you know your business. A well-designed one shows that you know how to communicate it.

We build decks that bring design and content together from the start. Not just to make a presentation look better, but  to make the story easier to understand and believe in. Gong is a strategic corporate communications advisory firm, part of The Wilful Group. Our creative portfolio can be found here.

Kipeto

Communicating a future vision for wind energy as a major contributor to Kenya’s Vision 2030 and Big Four Agenda.

Kipeto is the second largest wind power project in Kenya. Under construction for two years, the project is scheduled to supply 100MW of clean, renewable energy as a major contributor to Kenya’s Vision 2030 and Big Four Agenda.

Following a series of messaging workshops that the Gong client team ran with Kipeto’s project team and international stakeholders, our designers rebranded the company to Kipeto Energy Plc (KEP). KEP’s fresh, new corporate identity was designed to reflect its international pedigree and included the following assets:

  • Brand book including logos, typeface, colour palettes and patterns
  • Brand applications: Letterheads, email signatures, business cards, powerpoint templates and brochures
  • Website updates
  • Signs for office spaces and external use

 

The rebrand and design supported the work of Gong’s client team as they delivered media relations support and reputation management advisory services throughout the wind power project’s construction, keeping key audiences updated on developments.

Kipeto website
Kipeto Business Cards
Kipeto letterheads

GLIDE Annual Report

Elevating corporate materials to emotive storytelling for a Gates Foundation & CPC funded organisation.

At Gong Creative, we are frequently commissioned to elevate the status of regularly produced corporate materials – such as annual reports, deal tombstones, marketing brochures or leaflets.

In the Global Institute of Disease Elimination (GLIDE)’s Annual Report, our talented designers used the client’s brand guidelines to produce original, high spec digital designs. We worked to a tight deadline after gaining initial approval on the proposed ‘look’. Meanwhile, our client team supported with media relations, promoting the issues raised in the report in global health and business press.

If you are looking for support in creating your brand guidelines, writing your marketing text for annual reports or leaflets, or producing physical copies of marketing materials, we can help with that too.

 

Glide Annual Report
Glide Annual Report

Danone & B Lab

What it means to be a B Corp in first-of-its kind B Corp eLearning platform.

Gong worked with Danone and B Lab EU to create an internal learning and engagement tool to educate employees on what it means to be a B Corp.

The challenge was to create an e-learning programme, appropriate for all levels within Danone’s international company, to engage and educate employees on B Corp certification.

Gong designed six bitesize lessons covering key elements of B Corp certification. We worked with our video partner to create engaging video content, coordinating interviews with key spokespeople in the B Corp movement and Danone.

Our Group creative service team designed the visual identity and illustrations for each lesson interaction, and working with our eLearning partners, we brought it to life with fun and interactive lessons.

The programme was tested by 750 Danone employees in the first few weeks before promotion began. Gong also created a global comms roll out programme for Danone which was initiated in October 2020.

Following the successful roll out of the eLearning programme across Danone’s global team (translated into five languages), Gong also created a standardised version that could be used by all B Corps in the UK. The programme was rolled out on B Lab EU for all its members.

What goes into a piece of design?

Ella Rychlewski

process blog

Our guiding light here at Gong Creative is to adopt a collaborative approach. We get to know our clients, understanding their commercial needs, and forming as clear a picture as possible as to what they are looking for. This takes time and we realise it’s up to us to be transparent about our creative process.

Our common starting point is to open a dialogue with our clients to capture a thorough brief. We then take some thinking time – sketching out concepts, testing palettes, surveying the competitor landscape. The next step is to collect the design components and to format them. These might be anything from written content to icons, from visual guidelines to photography.

Once the vision is clear and the necessary elements have been collected, the design itself can start. So important is the initial briefing and development phase that it can actually be more involved than the time it takes to complete the first design draft. These early development stages ensure that the final product is cohesive and in tune with the client’s brand story and message.

The last stage, after the prep and execution, is the review period. We work very closely with clients and will share design drafts early on to ensure that we capture their ideas. This demands an extensive and thorough review period with several rounds of changes and revisions. Then the signed off work can be packaged as required.

All in all the actual physical ‘design time’ of a project can represent less than a third of our input. Skipping or skating over the first thinking and final review steps, particularly the foundational prep stage, often leads to an overall increase in the time spent with revisions or a final product neither us nor the client are 100% happy with. That’s a false economy.